Born from grief and necessity, ourfathers. formed in 2014 — a gathering of friends who found the only language left to honor their fathers: song. Not to replace what was lost, but to build something that might survive it.

Drawing from the restless urgency of Converge, the atmosphere of Sigur Rós, the introspection of Mew, and the volatility of At The Drive-In, the band forged a sound both fragile and volatile — rooted in Alternative, Post-Rock, Punk, Hardcore, and Emo, but refusing to be easily named.

Their 2015 debut EP, Movements (recorded with Dryw Owens of From Indian Lakes, A Lot Like Birds), carved their first marks into the map, leading them to share stages with acts like King Woman, State Faults, Hail the Sun, Wolf and Bear, and Mom Jeans.

In 2018, they independently released their first full-length, Funeral Pyre, recorded at the legendary Tiny Telephone SF (RIP), followed by a West Coast tour. Then the world staggered, fell silent — and in that silence, ourfathers. returned with Movements 2 in 2021: a raw, unguarded testament shaped by distance, loss, and the ache of suspended time.

Now, after years of upheaval and transformation, ourfathers. emerge with their most vital work yet: Faith Healer — a fully self-produced album, recorded in their private Oakland studio.

Faith Healer is not just another record.
It is a meditation on loss, purgatory, memory, and fractured belief — a testament to what they have carried, what they have survived, and what they refuse to let be forgotten.
Built on heavier progressive structures, experimental textures, and a sharpened emotional core, it speaks to anyone who has ever rebuilt a life out of ruins.

ourfathers. make music not for scenes or trends, but to mark what endures when all else is stripped away.
Because silence forgets.
And memory — hard-earned, imperfect, aching — is the only faithful thing we leave behind.